Relevance and Relatability

 I hope readers of the novel can relate to [the characters'] struggles and impulsive judgments, even when we react by thinking,  “no, please don’t do that!”  Their lives twist and turn like ours, and realistically not everything ends up tied in ribbons.  But life lessons are real.

I try to challenge myself as a novelist by communicating what I understand the world to be.  I like reading other writers who storytell a different vision than mine, as their narrative is as unique to them as mine is to me.  Everything is about a point of view, realized through  three-dimensional characters embedded, hopefully, in a compelling and memorable plot.  

In Once Upon a Lie, a story of the Eighties, my two principal characters seem as different as the Americas they live in—one in a white and privileged enclave in Los Angeles, the other a Texas town with walls to climb if you’re poor and black and have the ambition and talent to escape.  Their paths cross and a relationship as complex as their differences begins to bloom.   Jaleel and Alexandra (“Alex”) deal with societal problem as well as the personal ones they make for themselves. I hope readers of the novel can relate to their struggles and impulsive judgments, even when we react by thinking,  “no, please don’t do that!”  Their lives twist and turn like ours, and realistically not everything ends up tied in ribbons.  But life lessons are real.  Jaleel and Alex even have their own Facebook pages, their interweaving stories continuing in the present, picking up where the book leaves off. 

Jaleel Robeson's Facebook Profile

Alex Baten's Facebook Profile

Read More