​His first love, adult and young adult fiction, tackles diverse subjects from the world of horse racing to politics, focusing on characters as much as a page-turning plot.  His novel, Abingdon's, was a bestseller and a Literary Guild Alternate Selection. His young adult novel, Pursuit, was awarded the California Young Reader Medal.  He has also co-written two screenplays for Amazon Prime.


Receiving his Bachelor of Arts in English from Stanford University, he focused on creative writing and studied under Wallace Stegner. He received a Master's degree in journalism from Northwestern University.  He later served in the United States Army before marrying Patricia Goodkind, an educator and entrepreneur, and starting a family. Working under his wife, Patricia, ten years ago they created a non-profit foundation, Dollar4Schools, which continues  helping support  Santa Fe public schools and its  teachers.  


An avid trekker and traveler to developing countries, French loves diving and snorkeling, and for the last decade began studying  endangered marine and land mammals.   He believes climate change is currently the world’s greatest long-term problem.


He and  Patricia divide their time between Santa Barbara, California, and Santa Fe, New Mexico. 
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I try to challenge myself as a novelist by communicating what I understand the world to be.  I like reading other writers who storytell a different vision than mine, as their narrative is as unique to them as mine is to me.  Everything is about a point of view, realized through  three-dimensional characters embedded, hopefully, in a compelling and memorable plot.  

In Once Upon a Lie, a story of the Eighties, my two principal characters seem as different as the Americas they live in—one in a white and privileged enclave in Los Angeles, the other a Texas town with walls to climb if you’re poor and black and have the ambition and talent to escape.  Their paths cross and a relationship as complex as their differences begins to bloom.   Jaleel and Alexandra (“Alex”) deal with societal problem as well as the personal ones they make for themselves. I hope readers of the novel can relate to their struggles and impulsive judgments, even when we react by thinking,  “no, please don’t do that!”  Their lives twist and turn like ours, and realistically not everything ends up tied in ribbons.  But life lessons are real.  Jaleel and Alex even have their own Facebook pages, their interweaving stories continuing in the present, picking up where the book leaves off.